Recurrence principle B6 | periodicity of film production is not less than one year C61 | Humanities film and television works produced in the early field surveys, mid-term shooting and post-production are usually not less than one year. |
Artistic Principle B7 | Focus on scene immersion C21 | Build a field that is conducive to conveying information to the audience through a large amount of specific information. |
Attention to detail performance C22 | Passing details through the lens, accurately presenting the social context. |
(Character action) A sense of movement state C23 | The performance and portrayal of non-verbal symbol systems (rituals, dances, etc.) are prominent, detailed, and aesthetically pleasing. |
The artistic sense of audiovisual language C24 | The visual and audio presentation of the film is in line with the theme and is full of beauty. |
Award Finale Principle B8 | International Film Festival / Film Festival Selection C41 | Film and television works selected for international film festivals / film festivals, with finalists' certificates or invitations, published by national audiovisual publishing houses, or broadcast by national television stations to a higher standard. |
National Film Festival / Film Festival Selection C42 | Film and television works are selected in national film festivals / film festivals, with certificates of selection; and published by regular audiovisual publishers (with book numbers or audiovisual product numbers), or broadcast by television stations at or above the provincial level as the threshold criteria. |
Matching of text and film and television works C43 | A scholar is allowed or even encouraged to produce both text works and film and television works, especially for a research theme that produces “supporting” works that have both text and film. |