Table 2. The specific evaluation indicators of Wu-Qiao.

First-level indicators Second-level indicators Indicators Item Description
Recurrence principle B6 periodicity of film production is not less than one year C61 Humanities film and television works produced in the early field surveys, mid-term shooting and post-production are usually not less than one year.
Artistic Principle B7 Focus on scene immersion C21 Build a field that is conducive to conveying information to the audience through a large amount of specific information.
Attention to detail performance C22 Passing details through the lens, accurately presenting the social context.
(Character action) A sense of movement state C23 The performance and portrayal of non-verbal symbol systems (rituals, dances, etc.) are prominent, detailed, and aesthetically pleasing.
The artistic sense of audiovisual language C24 The visual and audio presentation of the film is in line with the theme and is full of beauty.
Award Finale Principle B8 International Film Festival / Film Festival Selection C41 Film and television works selected for international film festivals / film festivals, with finalists' certificates or invitations, published by national audiovisual publishing houses, or broadcast by national television stations to a higher standard.
National Film Festival / Film Festival Selection C42 Film and television works are selected in national film festivals / film festivals, with certificates of selection; and published by regular audiovisual publishers (with book numbers or audiovisual product numbers), or broadcast by television stations at or above the provincial level as the threshold criteria.
Matching of text and film and television works C43 A scholar is allowed or even encouraged to produce both text works and film and television works, especially for a research theme that produces “supporting” works that have both text and film.